Over the years I’ve been asked many times, “What happened to the Fimir?” A lot of people seem to like this strange race, and there seems to be a lot of curiosity about why they were quietly dropped from Warhammer canon.
I’ve been thinking for some time about writing a post that gives the whole story of the Fimir’s creation, short life, and eventual demise – but now I don’t have to. Warhammer fan Luke Maciak, author of the excellent Terminally Incoherent blog, has painstakingly collected all the information from various sources and assembled it into a full and complete account of the beasts, and added some great insights of his own.
The Fimir reappear from time to time, both in GW publications (fleetingly) and in fan works (often in great depth). Here are a few useful links I found:
A scan of the Fimir promo from WD102, including an adventure that I still regard as one of the worst I’ve ever written, “There’s a One-Eyed Fellow Hiding to the North of Kammendun.” Oldhammer fans will also find a 3rd edition Fimir army list.
An unofficial 8th edition Warhammer army book for Fimir created by some German fans (and written, impressively, in English).
My earlier post on Forge World’s announcement of their Fimir miniatures.
David Stafford’s impressive Fimir army, with inspiration from 2000AD’s Slaine comic and broader Irish mythology.
Warpstone magazine devoted issue 25 to a Fimir special.
I’m sure this list just scratches the surface of what’s out there. If I happen upon anything else interesting, I’ll post links in the comments section below.
2014 is shaping up to be a busy year. Right now I’ve got four mobile games, two tabletop RPG books, and two nonfiction books at various stages of development, and I’m also trying to keep my promise to myself that I will write more fiction.
With all this going on, I haven’t had time to put together an elegant and well-reasoned thought piece or a vivid and fascinating memory of The Old Days for this update. However, there are a few bits and pieces that might be of interest:
Kingdoms of Camelot: Battle for the North is now in its third year, and still going strong. I’m currently helping develop a great new feature that I can’t really talk about, which will be released later in the year. You’ll see some familiar faces, and I think that fans of deeper Arthurian lore will be pleasantly surprised. That’s the intention, anyway.
In other KBN news, the game is ranked #10 by worldwide revenue in App Annie’s 2013 retrospective. A year ago, it was the iTunes Store’s #1 top-grossing app of 2012. And, of course, it’s also available for Android. I’ve been involved with KBN since the very start, and I’m delighted with its continuing success.
Another Kabam title I’ve worked on also did well in 2013, according to App Annie. The Hobbit: Kingdoms of Middle-earth ranked #8 by revenue in the U.S., #5 in the UK, and #6 in both France and Germany. Over the last year I worked on a narrative campaign feature that allows players to fight the Goblins of the Misty Mountains alongside heroes from the movies – and, in the most recent instalment, lets them take on the dread Necromancer from Mirkwood to Amon Lanc and beyond. Like all of Kabam’s mobile games, this is also available on Android.
Dragons of Atlantis: Heirs of the Dragon has just acquired a great little feature that allows your dragon to go exploring when you’re not using it in battle, and find you all kinds of interesting treasures. I wasn’t involved with that particular feature, but throughout the last year I’ve been working on new dragons, new troops, and various other expansions. More on those when I’m allowed to talk about them. Also on Android.
Beside these three, I’ve been working on localization editing for a whole bunch of games from China that are hoping to build on their success in that booming market and move into the West. Three projects down so far, and two more in progress: more when I can talk about them. There is some good stuff coming out of China, for sure, and many commentators have tagged it as a market to watch. Russia, India, and Brazil are also poised to become significant mobile-games markets in 2014, according to many analysts.
And finally in mobile gaming, I’ve been working on a new fantasy RPG for iOS. I can’t give any details at this stage, but I will say that the setting is interesting and I’ve been having a very good time developing the backstory and advising on some quite intriguing features, both in narrative and gameplay.
The two books I wrote for Osprey Adventures in 2013 have been well received, and I’ve signed up to write two more. Thor: Viking God of Thunder in the Myths and Legends line has been getting good reviews, and the new Templar conspiracy I laid out in Knights Templar: A Secret History has been well reviewed and has inspired both fiction writers and tabletop RPG designers. I’ve been contracted to write two more titles: Theseus and the Minotaur is due to be released in November this year, and I’m just starting work on a yet-to-be-announced Dark Osprey title.
I’ve also been indulging my love for historical fantasy in a few tabletop RPG projects.
Colonial Gothic, the game of horror and conspiracy at the dawn of American history, received a great boost from the release of the Second Edition Rulebook, and that was followed up with the release of the Bestiary in October.
Just open for preorders is Lost Colony, a unique two-period adventure that explores the mystery of Massachusetts’ ill-fated Popham colony in both 1607 and 1776. It is written by award-winning author Jennifer Brozek, whose previous credits for Colonial Gothic include the acclaimed Locations mini-campaigns and the groundbreaking e-book The Ross-Allen Letters, which blurs the lines between adventure and fiction.
I’m working on another Colonial Gothic supplement at the moment. I can’t talk about it yet, but it’s one that has been very long in the planning and it reunites me with a favorite collaborator from my Warhammer Fantasy Roleplay days. We haven’t worked together for more than twenty years, and this project promises to be a lot of fun.
As much as I love Colonial Gothic, I am occasionally tempted by other tabletop RPG projects. When author and roleplaying luminary Robin D. Laws was recruiting talent for his Hillfolk Kickstarter campaign, I was honored to be one of the people he asked to submit an original setting for this fascinating game. I pitched Pyrates as “Firefly of the Caribbean,” and it was a lot of fun to write.
British publisher Chronicle City ran a Kickstarter campaign for their version of the Steampunk classic Space: 1889 – a favorite of mine from the 80s – and I offered an adventure for a stretch goal that, sadly, was not reached. I still hope to write it someday. Their Kickstarter campaign for Cthulhu Britannica saw me contribute to their intriguing postcard-based adventure generator. I was especially happy to be involved with this project because my first commissioned work for Games Workshop, way back in 1985, came when they were developing A Green and Pleasant Land, the first ever British sourcebook for Call of Cthulhu.
Last year I wrote a couple of articles for Steve Jackson Games’ Pyramid magazine, both about obscure guns. The Puckle Gun, a repeating heavy musket, was covered in issue 3/52 (February), while the fearsome Nock volley gun appeared in issue 3/57. I’m planning to adapt both these weapons for Colonial Gothic in the near future, possibly in an unannounced supplement that I have on the back burner. Meanwhile, I have another article – not gun-related this time – being considered for a future issue of Pyramid.
Finally, 2013 was the year I discovered the Oldhammer movement. It seems that there are a lot of folks out there who remember the Games Workshop products of the 80s with great affection, and several of them asked me to give them interviews or to share my memories of working at GW during what some regard as that golden age. I have a couple more interviews lined up, but here are links to some that have appeared so far.
So that’s what 2013 looked like for me, and what 2014 is looking like so far. As always, I’ll be covering ongoing projects in more detail just as soon as I’m allowed to talk about them. But now I’d better get back to work – there’s plenty to do.
If you read my blog from anywhere in the Euro-zone, this might be of interest. I’ve just discovered that Amazon.de has the (English) Kindle version of “Thor: Viking God of Thunder” marked down to 0,99 Euros.
Yes, this is a holiday-season filler, but it might be of interest to some readers.
I’ve done a few interviews over the last couple of years, mostly in the run-up to the release of the new Enemy Within campaign for WFRP 3rd edition. It seems a lot of people have wanted my memories of life at GW, the development of WFRP, and gaming in the 80s. I also managed to plug Colonial Gothic a little and mention some of my work in video games.
I hope you find them interesting, and stay warm, safe, and happy over the holiday season.
See you in 2014!
One of the first posts I wrote for this blog was a reminiscence on the early days of Vampire: the Masquerade, prompted by the release of a 20th Anniversary Edition. Well, now I feel even older. I just saw that someone is bringing back the Games Workshop – Milton Bradley fantasy boardgame HeroQuest in time for its 25th.
Jervis Johnson – he of Blood Bowl and Adeptus Titanicus/Space Marine fame – was the designer, but I sat in with him on meetings and contributed some early writing and background. I remember that the man from MB liked the fact that I’d named the Barbarian character Rogar, because his boss was named Roger and he thought that would go down especially well.
As part of the agreement, Milton Bradley developed all the HeroQuest expansions themselves but Games Workshop had the right to develop and sell Advanced HeroQuest, which was a lot deeper and more Warhammer-ish. It’s also where the Fimir found a home after failing as a new Warhammer race. I had a little more to do with AHQ, writing a few expansion articles for White Dwarf and – one of my first freelance contracts after I left the Games Workshop staff in 1990 – an undead-themed supplement called Terror in the Dark.
I’ll be keeping an eye on this new incarnation of HeroQuest. Who knows – maybe I’ll even get the opportunity to write something for it.
The Colonial Gothic Bestiary was released today. You can read the first review here – it’s a very welcome 5 stars from RPGnow.com.
I’ve been pushing for this book ever since I first got involved with Colonial Gothic three years ago. This year, following the release of the second edition Rulebook, the time is finally right. Colonial Gothic’s range of adventures and sourcebooks has always been well received – almost none has averaged lower than a 4-star rating from the industry’s most influential review sites – and now we can release core books to support and grow the system itself. Richard and I decided that the first new core book should be a bestiary, and we plan to follow that up with a Players’ Guide and a GM’s Guide over the next couple of years. Watch this space. In addition, we will continue to support the acclaimed Flames of Freedom campaign and we will keep on producing ground-breaking adventures and supplements like Jennifer Brozek’s time-bending adventure The Lost Colony.
To some, a bestiary may seem a strange choice for the first core supplement. Colonial Gothic is a horror game, after all, and the Rulebook includes a good selection of creatures for horror adventures. Even so, some important creatures were missing: local legends like the Jersey Devil, creatures from Native American tradition like the wampus cat, and local wildlife like the alligator. The book also includes summoned and enchanted creatures like the homunculus, two kinds of golem, and – of course – demons, devils, and undead aplenty.
There are more than 50 creatures in all, but Colonial Gothic fans need not fear that we are turning the game into Colonial D&D. We’re not. Each creature has been chosen with a careful eye to how, why, and where it fits into the Thirteen Colonies and what it can bring to Colonial Gothic adventures. Each creature description includes notes on what it offers the GM, and more extensive notes are given for each creature class. Finally, there are two indices – one alphabetical and one by class – listing the creatures in the Rulebook as well as in the Bestiary, to make it easy for the GM to find exactly the right creature for a particular adventure or encounter.
As I’ve said before, I have a long-standing love of historical fantasy and horror. I thought Colonial Gothic was a good idea the first time I heard of it, and it’s good to know that Richard and I are not alone. There are active groups on both Facebook and Google+ providing us with feedback and discussing everything from real-but-suspicious historical events to TV shows like Sleepy Hollow to the best miniatures and scenery for 18th-century games. You can also find Colonial Gothic news on Twitter (#ColonialGothic).
I think 2014 is going to be a good year for Colonial Gothic. Richard and I have a number of ideas in the works. If you know Cotton Mather isn’t a personal hygiene product and Salem isn’t just a brand of cigarettes, if you ever wanted to save Joseph Curwen and the Whateleys of Dunwich from their own folly, if you want to know how Washington used Masonic secrets to win American independence – and what the Templars thought about his doing so – we think you will enjoy Colonial Gothic.
You can find the Bestiary - and the rest of the Colonial Gothic range – on sale at the Rogue Games online store in PDF, ePub, Kindle, and dead-tree format. The various ebook versions are also available from your favorite download store. If you shop at, or run, a Friendly Local Game Store, please get in touch. Rogue Games is committed to supporting brick-and-mortar game retailers.
After I finished writing Thor: Viking God of Thunder, Osprey Publishing asked me to write a Templar conspiracy title for their Dark Osprey line. Knights Templar: A Secret History is due for release later this month, and pre-orders are open on your favorite online retailer. The first review I’ve seen tells me the finished product lived up to my intentions, which is always nice to know.
I had a lot of fun writing this book. As well as poking about in the dark corners of history, I was able to spend time reviewing the history of the Templar conspiracy phenomenon and add a brand new one of my own devising. I deliberately refrained from making up any historical facts – that would be too easy – but I really let myself go when drawing conclusions from them. It was something like kitbashing, a modeling term for the process of assembling parts from different kits in a way the designers never intended and producing an entirely new plane, tank, or whatever.
This isn’t my first book on the Templars. The Colonial Gothic Templars sourcebook was a similar exercise on a smaller scale, geared to the needs of the game and focusing on Templar activity in the North American colonies during the Revolutionary War era. This new book suffers no such restrictions, and I trace the Templars – and the Holy Grail – across the Atlantic and back again as they engage in a three-way secret war with the Vatican and the Freemasons. Are the Templars using the European Union to create a global state ruled by a heretical religion? Read the facts and judge for yourself.