The Gong Farmer: A Career for All Editions of Warhammer Fantasy Roleplay
Ever since Our Heroes ventured into the sewers of Nuln in “The Oldenhaller Contract” way back in 1986, WFRP has had a certain association with the grimier, less pleasant (and less pleasant-smelling) aspects of life in a medieval fantasy world. Rat Catchers have come to define the anti-heroic ethos of the Old World, but there are greater heroes, as yet unsung: the silent night-time armies of gong farmers and nightsoil men (and women) who nightly move uncounted tons of human waste from those homes which have no sewer access.
A while ago, I posted a version of this career for WFRP 1, 2, and 3. Here is an improved and corrected version, with details for 4th edition added. Enjoy – and leave comments below. I’d love to have your ideas on how this career might be improved.
The gong farmer has the least enviable job in the Old World. In towns and other settlements without a sewer system, the gong farmer gathers up all human waste and deposits it in a communal dump or cesspool outside the walls. Often permitted to work only at night, gong farmers are also known as nightsoil men.
Owing to the nature of their profession, gong farmers are able to remain calm in the face of things that would disgust and even nauseate ordinary folk. They are also well able to resist disease and poison through long exposure to the most noxious of substances.
The job is not without its compensations, but they are few and unreliable. Gong farmers have access – albeit at night and well supervised – to the houses of the great and good and can find themselves privy (pun intended) to household secrets as well as having a unique insight into their state of health. In addition, the by-laws of many communities allow gong farmers to keep any coins, small pieces of jewellery, or other items of value that they may find in the course of their work.
FIRST EDITION PROFILE
Advance Scheme
| M | WS | BS | S | T | W | I | A | Dex | Ld | Int | Cl | WP | Fel |
| +2 | +2 | +10 | +10 |
Skills
Immunity to Disease
Immunity to Poison
Very Resilient
Trappings
Ragged clothing
Shovel
Wheelbarrow
Lantern
Career Exits
Agitator
Beggar
Grave Robber
Labourer
Rat Catcher
Rogue
SECOND EDITION PROFILE
| Main Profile | |||||||
| WS | BS | S | T | Ag | Int | WP | Fel |
| — | — | — | +10% | — | — | +10% | — |
| Secondary Profile | |||||||
| A | W | SB | TB | M | Mag | IP | FP |
| — | +2 | — | — | — | — | — | — |
Skills: Common Knowledge (local community), Perception
Talents: Night Vision, No Sense of Smell (see above), Resistance to Disease, Resistance to Poison, Strong-Minded
Trappings: Ragged clothing, Shovel, Wheelbarrow, Lantern
Career Entries: Bone Picker, Peasant
Career Exits: Agitator, Bone Picker, Grave Robber, Rat Catcher, Rogue, Sewer Jack (Ashes of Middenheim), Vagabond
THIRD EDITION PROFILE
Basic Career: Human, Halfling
Basic, Menial, Social, Urban
Primary Characteristics: Toughness, Willpower
Career Skills: Discipline, Folklore (local area), No Sense of Smell (see above), Observation, Resilience
Advances
| Action | Talent |
| 2 | 1 |
| Skill | Fortune |
| 2 | 1 |
| Conservative | Reckless |
| 2 | 1 |
| Wound | |
| 1 | |
Typical Trappings: Ragged clothing, Shovel, Wheelbarrow, Lantern
Career Ability: Once per session, add expertise die to an Observation or Resilience check.
FOURTH EDITION PROFILE
This four-level career is based on an account of the “nightmen” of medieval Leiden in the Netherlands (see “Further Reading” below). The “hole-man” climbed into the cess pit and scooped out the waste, passing it up to two “tub-men” who transferred it to their barge under the supervision of their foreman. The city of Ghent employed an official known as “the King of Dirt” to ensure that all sanitation regulations were followed.
The gong farmer is a Burgher class career. If random generation is being used, a player who rolls a beggar may choose a gong farmer instead if the GM agrees.
Gong Farmer Advance Scheme
| WS | BS | S | T | I | Agi | Dex | Int | WP | Fel |
| ✠ | ✠ | ⚒ | 💀 | ✠ | ⛊ |
Career Path
✠ Hole-Dropper — Brass 1
Skills: Athletics, Climb, Consume Alcohol, Cool, Dodge, Endurance, Melee (Basic), Perception
Talents: Beneath Notice, Night Vision, Resistance (Disease), Very Resilient
Trappings: Bucket, 20ft Rope, Shovel
⚒ Tubber — Brass 3
Skills: Drive or Sail, Gamble, Gossip, Haggle, Stealth, Swim
Talents: Coolheaded, Hardy, Resistance (Poison), Sturdy
Trappings: Leather apron, Barrow, Lantern and Oil
💀 Foreman — Brass 5
Skills: Bribery, Charm, Evaluate, Intuition
Talents: Acute Sense (Sight), Blather, Coolheaded, Dealmaker
Trappings: Gong Farmer Crew, Boat or Cart, Hand weapon (Boat Hook), Leather Jack
⛊ King of Dirt — Silver 2
Skills: Intimidate, Leadership
Talents: Argumentative, Commanding Presence, Etiquette (Guilder), Read/Write
Trappings: Badge and Diploma of Office, Crew of Assistants (Tax Collectors)
No Sense of Smell (Optional Rule)
The character literally has no sense of smell. Their olfactory sense has been completely destroyed by long exposure to foul-smelling substances or through some other circumstance. They automatically fail any dice roll that depends upon smell — but they are also unaffected even by the most nauseating smells they encounter, or by alluring scents that might be used to entrap others. Poisonous gases and drugs in vaporous form affect the character normally.
FURTHER READING
Wikipedia: http://en.wikipedia.org/wiki/Gong_farmer
2nd edition version by Colin Chapman: http://www.scribd.com/doc/156852704/Warhammer-Fantasy-2nd-Edition-Gong-Farmer
Archaeology Magazine — “Of Cesspits and Sewers: Exploring the unlikely history of sanitation management in medieval Holland”: https://www.archaeology.org/issues/327-1901/letter-from/7205-letter-from-leiden
Images taken from 18th century nightmen’s cards (Wikimedia Commons).
Warhammer Fantasy Roleplay and WFRP are trademarks owned by Games Workshop Ltd. This article is a fan work and is not intended to be official or to challenge any trademark or copyright of Games Workshop or any of its licensees.
Monday Maps #1
It’s been my experience that a GM can never have too many maps, so I plan to post #MondayMaps every week from now on until I run out of images to share.
They will come from various sources, both old and comparatively modern. Some of the newer ones – old-looking designs for 20th-century houses – will include rooms that are not in period for a medieval fantasy game, but the basic layouts can still be useful. A few caption changes, and you’re off.
If you are like me and can’t draw anything beyond a bath and a conclusion, I hope you will find these useful. And if you have any great sources of RPG-friendly mappage that you’re willing to share with the rest of us, please post in the Comments section below.
This is the first one that caught my eye, probably because the style of the elevation drawing looks so much like one from the WFRP 1st edition rulebook. It could work for the home of a merchant or other well-to-do burgher in a small town or village, where there is enough space for its sprawling layout. It might also become an inn, with the great hall serving as a tap-room, a snug bar off the entryway, and the upstairs bedrooms rented out to guests.
I would probably add a dividing wall between the kitchen and the great hall, because medieval-level cooking was a smoky and smelly business. The bathrooms could become additional bedrooms – especially in an inn – and/or storage rooms.
Anyway – enjoy,and let me know whether you would like to see more maps like this.
Original image is 1280 x 1743. To enlarge, right-click and open in a new tab.
My Top Five RPG Monster Books
Ever since I saw Ray Harryhausen’s skeletons in Jason and the Argonauts on my parents’ black-and-white TV, I have been obsessed with monsters – especially those from myth and folklore. In my first D&D game, I played two thief characters, both of them killed by a minotaur. In the Games Workshop printing of the basic rulebook, I saw other names I recognized, and I was hooked right away.
I still love monsters, mythology and folklore, and monster books are still among my favorite types of tabletop roleplaying supplement. In this post I will discuss some of my favorites, looking especially at what each one offers the reader beyond the basic description and stat block.
Some of these are old – very old, but then so am I! – and there may very well be newer, even better books out there that I have not yet seen. If that’s the case, let me know! The comments section is right there at the bottom of the page. I’ll look forward to reading your views, and discussing what makes a monster book good, or great, or amazing.
So here they are, in no particular order:
Monster Manual 3.5
The original Monster Manual from 1977 was a landmark product in many ways, and just about every monster supplement published since has been influenced by it. Still, the 3.5 edition is better in my opinion. This is for three main reasons:
First, each monster description includes a ‘Combat’ section which covers the creature’s combat-related abilities and its preferred tactics. This makes it far easier to design encounters and run combats.
Second, the chapters at the back of the book – Improving Monsters, Making Monsters, and Monster Feats – make the book far more than just another collection of creatures. Following their instructions, the DM can customize monsters and create new monsters, providing the sort of endless variety that will keep players on their toes.
Finally, the list of monsters by challenge rating saves a lot of trouble when creating adventures. Page for page, it might even be the most valuable part of the book.
Today, no self-respecting monster book would be without these three features, and that makes the 3.5 Monster Manual something of a milestone.
Petersen’s Field Guide to Lovecraftian Horrors
There are Cthulhu Mythos monster books aplenty, but Petersen’s Field Guide stands out. It starts with a jokey-looking flowchart titled “Identifying Monsters of the Mythos” which is actually very useful indeed.
Fifty-three full colour spreads describe monsters in detail, including brief notes on their habitat, distribution, life and habits, and distinguishing features. A full-page main image is supplemented by sketches and notes illustrating different life stages and other peculiarities, as well as a human image for scale reference.
The lack of game stats is both a positive and a negative feature. On the one hand, they are something that readers expect in a monster book published by a game company; on the other, their absence makes the book system-independent. There are a lot of Mythos-based games on the market, from Call of Cthulhu to Delta Green to Arkham Horror, and their various rulebooks provide game stats for pretty much all of the creatures covered here.
The book ends with an extensive bibliography, covering game supplements, fiction, and other sources. The section headed “Bibliography for Other Monsters” winks at the reader, for its contents are entirely fictional. However, it makes a great list of documents for player characters to find in-game.
One very nice touch is the provision of initial letters on the page edge. This makes it very quick and easy to riffle through to the creature you are looking for.
Old World Bestiary
I’m allowed to like this one, because I didn’t work on it. Packed full of grimdark Warhammer atmosphere, it is broken into two parts. The first presents common knowledge about various creatures, consisting of equal parts useful information, rumor, and prejudice, while the second, aimed at the GM, contains the more familiar descriptions, stat blocks, and rules for Warhammer Fantasy Roleplay’s second edition rules.
The presentation works well enough, and although it can sometimes be annoying having to flip back and forth to find everything on a particular creature, the atmospheric material is gold for a GM who needs something to tell a player who just made a successful Lore or Research roll. Another nice feature is the appendix of hit location tables for different body plans.
GURPS Fantasy Folk
Fantasy Folk differs from a standard monster book (such as GURPS Fantasy Bestiary) in that it looks in depth at 24 races, providing enough detail on each one’s ecology, culture, and politics to create an almost endless variety of NPCs from each– and player characters too, if desired.
Centaurs, great eagles, and other non-humanoid races are covered in addition to the usual elves, dwarves, goblins, and so on. Best of all, each race is provided with a worked example of a character – essentially a detailed NPC, ready to go – and a selection of adventure seeds.
While most GMs will not use every single race in this book, it offers a solid starting-point for developing races for use in a campaign. Better still – and perhaps without meaning to – it provides a template for describing fantasy races of one’s own, which is far better than starting from a blank screen.
Buy it from Steve Jackson Games.
Trollpak
Chaosium’s Trollpak for RuneQuest was one of the first tabletop roleplaying supplements to describe a single race in detail, and it is still worth reading if you can find a copy. The boxed set consists of three booklets: Uz Lore (“Uz” being the trolls’ name for themselves) covers their nature and history, The Book of Uz presents rules and information on playing troll characters, and Into Uzdom is a selection of adventures. Also included are two more adventures and a 22” x 17” map of the troll heartlands.
Both atmospheric and useful, Trollpak sets a standard that is hard to beat even now, and anyone planning a single-race roleplaying supplement would be well advised to study it. There is much here worth plundering.
Honorable Mentions
In addition to these five, I have to mention two series of magazine articles that, to my mind, significantly advanced the art and craft of rpg monster descriptions.
The “Ecology of…” series in Dragon magazine established a very good format for looking at monsters in greater details than the Monster Manual allowed. Sections on history (including, where appropriate, a short box on the creature’s origins in myth and folklore), physiology, psychology and society, and lair design offer invaluable information to the DM, and notes on the creature’s presence in various D&D campaign settings are useful to those who set their campaigns there. The sweetest meat, though, is saved for last: options for developing advanced versions of the creature, with at least one worked example. Like GURPS Fantasy Folk, these articles also establish a template which can be used for developing monsters of your own, which can only enhance both the monsters and the campaign setting.
Before the first “Ecology” article appeared in Dragon, though, TSR’s British arm published a short-lived magazine called Imagine. It ran to only thirty issues but contained a lot of innovative material – including the “Brief Encounters” articles. These presented a single new monster using a showcase encounter which was specially written to demonstrate everything that was new and interesting about it. Brief Encounters continued in Imagine’s even shorter-lived successor, the indie magazine GM Publications, and when most of the staff from both magazines joined Games Workshop, there was talk of re-using the format for Warhammer Fantasy Roleplay. However, the only published fruit of this effort was “Terror in the Darkness” in White Dwarf 108, which introduced a creature from the Warhammer 40,000 Rogue Trader rulebook to the Old World. More about that here.
These are my particular favorites, and I’m sure you will have your favorites too. I’m sure I have missed a great many very fine monster books, particularly given the way tabletop rpgs have proliferated in recent years. So don’t be shy – let me know about your favorites in the comments section. I’m always up for discovering a new monster book.
At some time in the future, too, I will set modesty aside and look at some of the monster books that I’ve worked on over the years, explaining what I was trying to achieve with each one and discussing how well I succeeded – or didn’t.
I’m looking forward to reading your comments and suggestions!
Troll à la Morceaux: A Warhammer Recipe
This short piece of fiction was written in 1989 or 1990 for a never-published sourcebook on Ogres and Trolls in Warhammer Fantasy Roleplay. Marcel de Morceaux is mentioned in the adventure collection Rough Nights and Hard Days, and I might use him in some future adventure if the opportunity presents itself.
Marcel’s cookbook Adventures in Gastronomy includes some of the most ambitious – and dangerous – recipes ever published in the Old World. It is banned in many places, and of all its contents, Troll à la Morceaux is considered the riskiest. Even if every precaution is taken to ensure that the Troll does not regenerate back to life during the cooking process, one can never be sure….
Very few are brave or foolish enough to try this dish, but there are some in the Old World who will venture beyond the limits of convention and common sense in search of new and unique experiences.
Picture from Lure of Power: Nobility in the Empire (Fantasy Flight Games, 2009). Used without permission. No challenge intended to copyright holders.
The preparation of the flesh of the Troll requires the greatest care and the most trustworthy of assistants, but if the many pitfalls can be overcome, a chef who can present his lord with a dish such as Troll à la Morceaux will never want for employment. But you must remember, mes amis, that one mistake can lead to disaster, and such a disaster can lead to the gallows or worse.
Firstly, your Troll must be absolutely fresh. Do not trust those robbers who will sell you venison at ten times the price and tell you it is Unicorn or Troll. Great cookery demands that no short-cuts may be taken.
The butchering of a Troll presents several unique problems, but a chef who is truly dedicated to his art may be daunted by nothing. The Troll must be securely bound, with its head held in such a way that it cannot eat the ropes that bind it. As each cut of meat is removed from the carcass, it must be placed immediately in a strong marinade of vinegar – the strongest vinegar you can find, for the presence of acid will slow down the process of regeneration.
Any waste and off-cuts must be burned immediately, or if you have arranged to sell pieces to a wizard or alchemist, he must be on hand to take them away tout à l’instant. Remember, and drum constantly into your servants, that not even the smallest scrap of the carcass must be left lying about.
You must be extremely careful when cleaning the carcass, Remember the great size of the stomach, and the immense power of the acid it contains. If at all possible, seek the guidance of a wizard or alchemist in carrying out this process; it is not too much to offer him the stomach in payment for his supervision, for a mishap with a Troll’s stomach can be a catastrophe véritable.
After the meat has stood in the vinegar marinade for two hours, inspect it closely; if it shows the slightest signs of regeneration, add more vinegar. Keep the meat in the marinade for as long as you can – the longer it stays there, the more tender it will be when cooked – but take no chances.
Enfin, we come to the cooking of the meat. This requires the greatest of care, and must be carried out in two stages.
First, the meat must be seared to prevent it regenerating once it is removed from the vinegar marinade. Use a large skillet of cast iron, and heat it until it literally begins to glow. Drop the meat in, turning it repeatedly until all sides are seared black.
This done, the meat is roasted, fried, or stewed in the same way as beef or venison, allowing double the normal cooking time.
A final word of warning. Do not – jamais, never – undercook Troll. When le patron demands his Troll medium rare, it is perhaps time to consider a change of employment.
If something goes wrong, the result could be like this – but not as funny.
The Twelve Books of Christmas: Part Twelve
My twelfth book of Christmas is not actually published until February, but it can be pre-ordered now – and arrive in time for Valentine’s Day, so there’s another holiday covered. You’re welcome.
Following on from the success of Colonial Horrors, I have assembled another anthology of pioneering horror stories, this time from female authors. More Deadly than the Male includes a story by Mary Shelley, of course, but there are some surprises as well. When she was not writing about the March family in Little Women and its sequels, Louisa May Alcott took time out to write one of the first mummy tales. Harriet Beecher Stowe wrote several ghost stories, one of which is also in the collection. British readers of a certain age will remember Edith Nesbit’s classic The Railway Children with affection, but may not be aware of her extensive horror output. There are also obscure names like Vernon Lee (Violet Paget, adopting a male nom-de-plume in order to be take seriously) and forgotten ones like Alice Rea.
The publication date is well chosen, since February 2019 will be the tenth annual Women in Horror Month, while March is Women’s History Month. All of the ladies in this collection led surprising and inspiring lives: some were remarkable only for the fact that they made their mark in the male-dominated world of literature, while others achieved far more.
Most surprising of all, perhaps, is the claim made in a BBC online article that at the height of the 19th-century fashion for horror stories, more than 70% of published tales were written by women. They often brought a psychological dread to their horror, as well as some social commentary: Charlotte Perkins Gilman’s “The Yellow Wall-Paper” is a vivid portrait of psychological disintegration on the one hand, and on the other a savage indictment of the so-called “rest cure” – effectively a form of solitary imprisonment which kept women from embarrassing their families, under the guise of paternalistic concern for the delicate nature of the “weaker sex.”
Here are extracts from some early reviews:
“Davis (Colonial Horrors) has done thoughtful literary excavation, and the stories he has selected are a trove of fantastic gems.”
– Publisher’s Weekly“An incredible collection of lesser-known ghost stories from female writers of the 18th and 19th centuries.”
– Goodreads
…and here is a link to the book’s page on the Pegasus Books web site.
This concludes my twelve books of Christmas. Thank you for reading, and I hope you have found something interesting – and perhaps some inspiration for a last-minute gift – among them. Links to various online retailers can be found on the My Books page, but if you find them at a brick-and-mortar store, your purchase will help them as well as helping me.
Merry Christmas to all, or the compliments of whichever season you celebrate at this time of year. May 2019 be a year in which unity triumphs over division, compassion over hate, and understanding over fear. And may it be a year in which more people discover, or rediscover, the joy of reading.
Click here for Part One: Colonial Horrors.
Click here for Part Two: Nazi Moonbase.
Click here for Part Three: Werewolves – A Hunter’s Guide.
Click here for Part Four: Theseus and the Minotaur.
Click here for Part Five: The New Hero, vol. 1.
Click here for Part Six: Knights Templar – A Secret History.
Click here for Part Seven: The Lion and the Aardvark.
Click here for Part Eight: Thor – Viking God of Thunder.
Click here for Part Nine: Tales of the Frozen City.
Click here for Part Ten: Blood and Honor.
Click here for Part Eleven: The Dirge of Reason.
The Twelve Books of Christmas: Part Eleven
My eleventh book of Christmas is The Dirge of Reason, a tie-in novella I wrote for Fantasy Flight’s Arkham Horror boardgame. It was part of a series giving an origin story for each character in the game, and my assigned character was Agent Roland Banks of the Bureau of Investigation (the FBI not being founded until some nine years after the game’s date of 1926). I researched 20s slang and did my best to channel Dashiell Hammett in this tale of a boy-scout agent forced into a situation where the rules – not just of the Bureau, but of physics and sanity – no longer make sense.
The story itself has a longer history. I first came up with the basic idea around 1982, when I had just purchased the first edition of Call of Cthulhu and was running a campaign for my college gaming group. I wrote up the first part as an adventure and sent it to Chaosium; I received a very nice letter back from Sandy Petersen himself, telling me that he liked the adventure and planned to use it in the Second Cthulhu Companion.
When that book was published in 1985, though, my adventure – then titled “Rhapsody in Fear” – was not included, so I approached Games Workshop, who had just started publishing small Call of Cthulhu adventures including the excruciatingly-titled Trail of the Loathsome Slime and the double feature Shadow of the Sorcerer and The Vanishing Conjurer (for which I wrote a sequel, “Ghost Jackal Kill,” which was published in White Dwarf #79). I got another nice letter back, this time from Call of Cthulhu editor (and future Fighting Fantasy honcho) Marc Gascoigne, encouraging me to develop the adventure further. But then I was offered a job at Games Workshop developing Warhammer Fantasy Roleplay, and all things Cthulhu went on a back burner.
Fast-forward twenty-five years or so, and I was writing WFRP for Fantasy Flight’s third edition when I heard of the proposed Arkham Horror novella line. I put “Rhapsody in Fear” forward, and this time – with a new title and a few changes – it was published. In addition to the story itself, the handsome hardback package includes a lavish color section with reproductions of various documents from the story, and some exclusive game cards relating to the character of Roland Banks. As a side-project (my eleven-and-a-halfth book of Christmas?), I was hired to write more short fiction featuring Roland and a few other game characters for the imposing tome The Investigators of Arkham Horror.
While The Dirge of Reason was written as a game tie-in, I made sure that the story, with its mix of hard-boiled action and cosmic horror, would be accessible to readers who are not familiar with the game. Here is what some reviewers had to say about it:
“Pulp fiction of an agreeably lowbrow caliber. That’s not a slam. It’s exactly what I wanted, and exactly what I got.”
– Goodreads“
…and the book’s page on the Fantasy Flight web site is here.
Tomorrow I cover the last of my Twelve Books of Christmas. If you’re not done with your Christmas shopping, or if you are expecting to receive some gift tokens, take a look: you might find something you like. Links to online retailers selling this and many of my other books can be found on the My Books page.
Click here for Part One: Colonial Horrors.
Click here for Part Two: Nazi Moonbase.
Click here for Part Three: Werewolves – A Hunter’s Guide.
Click here for Part Four: Theseus and the Minotaur.
Click here for Part Five: The New Hero, vol. 1.
Click here for Part Six: Knights Templar – A Secret History.
Click here for Part Seven: The Lion and the Aardvark.
Click here for Part Eight: Thor – Viking God of Thunder.
Click here for Part Nine: Tales of the Frozen City.
Click here for Part Ten: Blood and Honor.
Click here for Part Twelve: More Deadly than the Male.
The Twelve Books of Christmas: Part Ten
My tenth book of Christmas is an audio book, although you can still find print copies occasionally. Blood and Honor is a 2006 novel set in the Eberron campaign world for Dungeons & Dragons, involving a disgraced younger son’s quest to find his missing older brother.
After my friend and erstwhile colleague Keith Baker won the 2004 Wizards of the Coast setting search with his fantasy-pulp hybrid world of Eberron, the company announced an Eberron fiction competition. I won, with a novel proposal that was called Blood and Honor but which bore little resemblance to the story that was originally published. Over the next few months, with help from the editors at Wizards, I created my first, and so far only, novel.
Blood and Honor appeared as volume four in the War-Torn series: four different stories by different authors, linked only by the theme of the Last War and its effect upon those who had survived it.
Here is what a couple of reviewers had to say about it:
“The book delivers on Eberron’s setting of noir detective work and non-stop pulp action, with fights on airships, raiding secret strongholds, in military installations, and throughout the dark streets of a bustling city. Davis does a particularly good job of keeping things interesting.”
– Goodreads
“A solid story that serves its purpose well. …if you are a fan of Eberron you will enjoy this novel.”
– Amazon.com
The book is no longer sold through Wizards’ web site, but its Amazon page has some reviews and a link to the audio version (which is free with a trial of their Audible service).
Tomorrow, and every day until Christmas, I will be covering another title. If you’re not done with your Christmas shopping, or if you are expecting to receive some gift tokens, take a look: you might find something you like. Links to online retailers selling this and many of my other books can be found on the My Books page.
Click here for Part One: Colonial Horrors.
Click here for Part Two: Nazi Moonbase.
Click here for Part Three: Werewolves – A Hunter’s Guide.
Click here for Part Four: Theseus and the Minotaur.
Click here for Part Five: The New Hero, vol. 1.
Click here for Part Six: Knights Templar – A Secret History.
Click here for Part Seven: The Lion and the Aardvark.
Click here for Part Eight: Thor – Viking God of Thunder.
Click here for Part Nine: Tales of the Frozen City.
